Iain Faulkner Scottish, b. 1973

Faulkner is a master of aerial perspective. That is, his technique registers the effects of atmosphere and distance to emphasise the spatial depth of his subject. As forms recede into...

This short-running January exhibition occupies the gallery as a temporary pocket of time - a contained space in the heart of London's Fitzrovia that opens outward onto something far larger. Across photography, painting and works on paper, the exhibition brings together artists whose practices circle the idea of landscape in its many registers: seen from afar or at close range, mapped across bodies and objects, or stretched into vast, expressive terrain.

Pontone Gallery is delighted to announce Alone, Together: The Quiet Religion of Solitude, a group exhibition featuring works by nine artists. The show is a provocation of what the self experiences when all is stripped away.

Liquid Resonance brings together eight compelling approaches to the theme of liquidity, where water, oil, paint, atmosphere and memory are used to evoke transformation, emotion and reflection.

Pontone Gallery is proud to present a new suite of works by Scottish figurative painter, Iain Faulkner. These images feature his trademark, solitary, male figure set in dramatic and picturesque landscape - in this case Alpine Italy, specifically Lake Como and Lago di Braies. On the shore, looking out over the water, stands Faulkner’s protagonist, typically alone, brooding on a picturesque and sublime vista. In their staging such compositions make overt reference to romantic landscape painter, Casper David Friedrich’s iconic 1818 masterpiece ‘Wanderer above the Sea of Fog’. Faulkner’s contemporary iteration of an existential hero in contemplation of nature is implicit and points to a similarly romantic desire to re-establish this archetypal character and locate him in the present day.



Faulkner’s technique is an accomplished and painstaking masterclass in pictorial representation where attention is equally given to all aspects of the scene. There are no areas that are vague, all that is seen is dealt with and fully articulated. This clarity of view is achieved by his rigorous control and analytical application of tonal and colour values. This, in turn, is allied to a formal and exacting draughtsmanship that defines an exhaustive structural framework that forms the bare bones of each carefully thought-out arrangement. The artist’s desire to make the real and the tangible drives his vision so that we are in no doubt about the nature of the picture he is painting and his intentions in doing so.



The man in the paintings is, of course, the artist. These are self-portraits, but somewhat humble and self-effacing, as we do not see his face. Always dressed in the same clothes – a snow-white shirt, black trousers and braces, stout shoes – Faulkner comes across as an ‘everyman’, certainly not ‘bohemian’ as many would depict themselves. We join him in his view of the world, he asks us to stand with him and look over his shoulder to see what he sees and to share his wonder.

Acclaimed Scottish painter, Iain Faulkner , continues his enquiry into the expressive potential of the solitary male figure. Whether located in a luxurious international hotel room or the rugged landscape...

Northern Irish painter Kyle Barnes creates highly accomplished figurative portraits, capturing intimate moments that feel distinctly raw and undistilled. We encounter his subjects through a painterly lens that does not...

These are not melodramatic poses, but everyday and almost mundane. The subject is caught at a point of rest and contemplation. He gazes out across the land or city-scape, he...

Pontone Gallery presents a special exhibition in Augusta, Georgia. This is an exhibition of five painters, who explore and exploit process. Common to all is an obsessive interest in the materiality of paint and the technique of painting. Each presents the viewer with a rich and seductive surface. Each articulates their particular vision.