Lee Jaehyo South Korean, b. 1965

His sculptures are biomorphic in form. The shapes of egg, pod and amoeba, and the modular nature of their construction, speak to us of growth and reproduction. While we can see reference to the simple, cell-like, structures of nature, there are also allusions to the man-made in echoes of table, bench and seat. Some of these pieces are deliberately ambiguous; their function suddenly becomes contradictory: can you sit on a sculpture? Can you eat off one? They are inviting us to do so. At the same time we are only too aware of their status as 'Art'. He makes us reconsider our relationship with the 'everyday', the taken-for-granted, material world.

What is strongly expressed by Lee Jaehyo's work is a concern for, and immersive appreciation of, the natural world. His apprehension of basic and almost unregarded material (logs, simple steel fixings and scrap nails) and their metamorphosis under his hands is compelling. This is the ordinary made luxurious by intervention, by a sculptor who can see the beauty in the commonplace, who exposes it with the craft skills of a master cabinet maker.

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