Iain Faulkner Scottish, b. 1973
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Biography
Scottish artist Iain Faulkner graduated from Glasgow School of Art in 1996 with a BA in Fine Art. He has had numerous solo shows in the UK, USA, France, Switzerland, Spain and Italy. His work appears in many private and corporate collections; in 2010 he was commissioned to paint the European Ryder Cup Team member portraits.
His works feature a lone protagonist. Dressed uniformly in white shirt, black suit trousers and leather shoes, we see him paused between activities at a moment of reflection, pre-occupation or self-absorption. These scenes highlight moments of withdrawal and consolidation, where the subject turns inward. He appears rootless and world-weary, in transit in a hotel or at the wheel of a car or motor-boat. The images imply a sense of a nomadic existence. The fact that his face is obscured or turned away, allows us to see this figure as an everyman, a player both familiar and universal.
The pictures are rendered in a highly-controlled, meticulously-realised representational technique, where skilful draughtsmanship and a masterful handling of light and shade combine to articulate the architecture, space and atmosphere. Faulkner deploys a cool palette dominated by bluish tones of black, grey and white to create calm detachment. The paintings abound in reflective surfaces: glass, polished chrome and painted metal refract, fragment and repeat.
These images are romantic. They conjure ideas of modern-day, male heroes. Solitary and brooding, these figures suggest alienation, but also speak of autonomy and resilience. They bring to mind Caspar David Friedrich's 'Wanderer' or 'bandes dessinées' characters and even Ian Fleming's peripatetic Scot. There is a sense that these 'illustrated pauses' are strategic interludes where thoughts are ordered and decisions made before getting back into the saddle and re-joining the fray.
Works
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Lago di Braies Evening, 2024Oil on canvas101.6 x 101.6 cm
40 x 40 in -
Loch Etive Morning, 2024Oil on canvas121.9 x 121.9 cm
48 x 48 in -
Loch Lomond Evening, 2024Oil on canvas30.5 x 30.5 cm
12 x 12 in -
Loch Lomond, Dusk, 2024Oil on canvas91.5 x 91.5 cm
36 x 36 in
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Loch Nevis, 2024Oil on canvas91.5 x 91.5 cm
36 x 36 in -
Museo Barca Lariana, Lake Como, 2024Oil on canvas100 cm x 120 cm
39.4 x 47.3 in -
Small Wake, 2022Oil on canvas30.5 x 30.5 cm
12 x 12 in -
Wake II, Loch Eck, 2022Oil on canvas91.4 x 91.4 cm
36 x 36 in -
Ardbeg, 2021Oil on canvas91.4 x 91.4 cm
36 x 36 in -
Whistlefield Jetty, Night II, 2021Oil on canvas40.6 x 40.6 cm
16 x 16 in -
London Reflection, 2020Oil on canvas25.4 x 25.4 cm
10 x 10 in -
New York Memories, 2020Oil and wax on board30.5 x 30.5 cm
12 x 12 in -
Reminiscing, 2020Oil and wax on board30.5 x 30.5 cm
12 x 12 in -
Reminiscing II, 2020Oil and wax on board30.5 x 30.5 cm
12 x 12 in -
Pudong Evening, 2018Oil on canvas76 x 76 cm
30 x 30 in -
Pudong Window, 2017Oil on canvas91 x 91 cm
36 x 36 in -
Rome, First Light, 2017Oil on Canvas97 x 152 cm
38 x 60 in -
Stranded II, 2009oil on canvas152 x 152 cm
60 x 60 in -
Beach II, 2006-2018oil on canvas152 x 152 cm
60 x 60 in
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Exhibitions
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Iain Faulkner
A Man Alone... 20 Nov 2024 - 11 Jan 2025Pontone Gallery is proud to present a new suite of works by Scottish figurative painter, Iain Faulkner. These images feature his trademark, solitary, male figure set in dramatic and picturesque landscape - in this case Alpine Italy, specifically Lake Como and Lago di Braies. On the shore, looking out over the water, stands Faulkner’s protagonist, typically alone, brooding on a picturesque and sublime vista. In their staging such compositions make overt reference to romantic landscape painter, Casper David Friedrich’s iconic 1818 masterpiece ‘Wanderer above the Sea of Fog’. Faulkner’s contemporary iteration of an existential hero in contemplation of nature is implicit and points to a similarly romantic desire to re-establish this archetypal character and locate him in the present day.Read more
Faulkner’s technique is an accomplished and painstaking masterclass in pictorial representation where attention is equally given to all aspects of the scene. There are no areas that are vague, all that is seen is dealt with and fully articulated. This clarity of view is achieved by his rigorous control and analytical application of tonal and colour values. This, in turn, is allied to a formal and exacting draughtsmanship that defines an exhaustive structural framework that forms the bare bones of each carefully thought-out arrangement. The artist’s desire to make the real and the tangible drives his vision so that we are in no doubt about the nature of the picture he is painting and his intentions in doing so.
The man in the paintings is, of course, the artist. These are self-portraits, but somewhat humble and self-effacing, as we do not see his face. Always dressed in the same clothes – a snow-white shirt, black trousers and braces, stout shoes – Faulkner comes across as an ‘everyman’, certainly not ‘bohemian’ as many would depict themselves. We join him in his view of the world, he asks us to stand with him and look over his shoulder to see what he sees and to share his wonder. -
Pontone & Albemarle Group Show
4 - 26 Feb 2022Acclaimed Scottish painter, Iain Faulkner , continues his enquiry into the expressive potential of the solitary male figure. Whether located in a luxurious international hotel room or the rugged landscape...Read more -
The Albemarle Gallery
Opening Exhibition 15 Apr - 16 May 2021Northern Irish painter Kyle Barnes creates highly accomplished figurative portraits, capturing intimate moments that feel distinctly raw and undistilled. We encounter his subjects through a painterly lens that does not...Read more -
Iain Faulkner
A Solitary Man 15 Oct 2020 - 10 Jan 2021These are not melodramatic poses, but everyday and almost mundane. The subject is caught at a point of rest and contemplation. He gazes out across the land or city-scape, he...Read more -
Masters of Paint
Augusta, Georgia 1 - 21 Jun 2020Pontone Gallery presents a special exhibition in Augusta, Georgia. This is an exhibition of five painters, who explore and exploit process. Common to all is an obsessive interest in the materiality of paint and the technique of painting. Each presents the viewer with a rich and seductive surface. Each articulates their particular vision.Read more
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