Above the Valley: A Group Exhibition

Valleys, mountains, verticals and horizons recur throughout the exhibition, not as fixed motifs but as shifting structures. Landscapes appear as distant vistas and intimate details; as lying forms and standing figures; as buildings overlooking the world, fruit arranged like terrain, or flowing bodies of water and creatures moving through hills and ravines. What connects these works is a shared attention to movement - lines rising and falling, spaces folding inward and outward, perspectives that refuse to settle.

The exhibition spans a wide material and emotional range. Muted, pared-back worlds emerge in the photographic and painterly practices of Tõnis Saadoja and Lee Jeonglok, where restraint and atmosphere invite slow looking. Elsewhere, scale and intensity come to the fore in the expressive, often sublime works of Richard Harrison, where colour, gesture and density push landscape toward something immersive and bodily. Between these poles, the exhibition moves fluidly through stillness and drama, clarity and excess.

Featuring works by Henry Jabbour, Matteo Massagrande, Richard Harrison, Iain Faulkner, Luciano Ventrone, Tõnis Saadoja, Philip Muñoz and Lee Jeonglok, the exhibition brings together C-type prints, oil paintings and mixed-media works on paper. Though varied in approach, the works share a sensitivity to scale - how a single image can hold a sense of vastness, and how landscape can be felt as much as seen.

Running for just two weeks, the exhibition resists permanence. Instead, it offers a brief, concentrated encounter: a moment to step into a contained space and look outward, where lines lead up, down and around, and where landscape becomes a way of thinking about distance, proximity and the act of looking itself.