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Rado Kirov: Quicksilver

Past exhibition
4 June - 17 July 2022
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Overview
Rado Kirov, Quicksilver
Bulgarian sculptor Rado Kirov trained as a coppersmith and initially pursued a career as a skilled craftsman of precious metals. He spent the 1990s in South Africa where he worked on many prestigious commissions, becoming particularly well known for making a silver chalice presented by President Nelson Mandela to Pope John Paul II. Subsequently he has focused on sculpture, enlarging his scale and range, to forge a career in free-standing and wall-based steel structures. Pontone Gallery has a long-standing relationship with the artist and is delighted to exhibit these new pieces.

Kirov's background as a metalworker equips him with a profound knowledge of technique and a keen awareness of the aesthetic properties and potentials of his material. Since his move to sculpture, he has worked in stainless steel. Building on his intimate knowledge and overcoming technical challenges, he has developed a secret method, which he refers to as 'the mercury effect.' This involves applying hand techniques and the manipulation of extreme temperatures to produce an undulating and rippled surface. He smooths and polishes this to a mirror finish, as glossy and seductive as chrome.

 

This collection consists of elegant, blade-shaped columns, made from welded sheets which curve and twist to resolve in fine points. They shine, glisten and flow like quicksilver. In addition, blunter, obelisk-like forms end in a truncated cage structure, whose dark finish creates an almost brutal contrast with the glacial smoothness of the lower surface.

 

The apparent sleek modernity of Kirov's structures masks an elemental sculptural impulse, which suggests ancient monoliths and archaic proto-monuments. Seen as pure forms, these objects look like spear and arrow heads, prehistoric way-markers and votive pillars. Fabricated from the material of contemporary industrial production, they insinuate themselves into our world. Shiny and mercurial, cloaked in reflections, they smuggle old things into new places.

 

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Works
  • Fishpond, 2013 mirror stainless steel 115 x 115 cm 45 x 45 in
    Fishpond, 2013
    mirror stainless steel
    115 x 115 cm
    45 x 45 in
  • Mood, 2022 Mirrored Stainless Steel 110 x 20 x 20 cm 43.3 x 7.9 x 7.9 in
    Mood, 2022
    Mirrored Stainless Steel
    110 x 20 x 20 cm
    43.3 x 7.9 x 7.9 in
  • Tumbling cubes, 2018 Mirrored stainless steel 54 x 72 x 107 cm 21 x 28 x 42 in
    Tumbling cubes, 2018
    Mirrored stainless steel
    54 x 72 x 107 cm
    21 x 28 x 42 in
  • Ornament 1, 2022 Mirrored Stainless Steel 45 x 10 x 10 cm 17.7 x 4 x 4 in
    Ornament 1, 2022
    Mirrored Stainless Steel
    45 x 10 x 10 cm
    17.7 x 4 x 4 in
  • The Melt 2, 2016 Mirrored stainless steel 140 x 70 x 5 cm 55 x 27 x 2 in
    The Melt 2, 2016
    Mirrored stainless steel
    140 x 70 x 5 cm
    55 x 27 x 2 in
  • Ornament 2, 2022 Mirrored Stainless Steel 83 x 15 x 15 cm 32.6 x 5.9 x 5.9 in
    Ornament 2, 2022
    Mirrored Stainless Steel
    83 x 15 x 15 cm
    32.6 x 5.9 x 5.9 in
  • The Melt 1, 2016 Mirrored stainless steel 70 x 175 x 5 cm 27 x 68 x 2 in
    The Melt 1, 2016
    Mirrored stainless steel
    70 x 175 x 5 cm
    27 x 68 x 2 in
  • Rado Kirov, Ornament 3, 2022
    Rado Kirov, Ornament 3, 2022
  • 3D Wall Panel 2, 2016 Mirrored stainless steel 90 x 90 x 10 cm 35 x 35 x 4 in
    3D Wall Panel 2, 2016
    Mirrored stainless steel
    90 x 90 x 10 cm
    35 x 35 x 4 in
  • The Connoisseurs, 2018 Mirrored stainless steel 46 x 120 x 155 cm 18 x 47.3 x 61 in
    The Connoisseurs, 2018
    Mirrored stainless steel
    46 x 120 x 155 cm
    18 x 47.3 x 61 in
  • Free Fall 4, 2018 Mirrored stainless steel 90 x 54 x 54 cm 35 x 21 x 21 in
    Free Fall 4, 2018
    Mirrored stainless steel
    90 x 54 x 54 cm
    35 x 21 x 21 in
Installation Views
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Related artist

  • Rado Kirov

    Rado Kirov

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