A New Home
Pontone Gallery is delighted to announce the assimilation of its long-standing partner, and predecessor, The Albemarle Gallery. This will bring a wide variety of distinguished artists under one roof and make for more effective promotion of such a wealth of creative talent.
This exhibition marks the occasion with a selection drawn from the gallery’s extensive list of international artists, including many previously exclusive to The Albemarle Gallery. The presentation focusses particularly on painting and features established artists alongside newer talents. With an emphasis on figuration, the viewer is invited to experience a wide and eclectic range of practice.
Richard Harrison offers richly-coloured and vigorously-handled, mystical landscapes; Harry Holland, enigmatic images of the female nude. Clive Head’s hallucinatory, layered scenarios of fractured figures make an amalgam of presence, memory and anticipation.
Christopher Thompson shows his brooding, chiaroscuro studies, while Philip Munoz, and Stuart Luke Gatherer use their finely-wrought and painterly facility to represent the human form.
Henry Jabbour’s paintings of fugitive and allusive figures are formed by sumptuous workings of textured oil. Kate Tedman makes graphic and embroidered interweavings of complex signs and symbols. Kyle Barnes contributes a surreal portrait head, slickly coated in a viscous fluid. Alberto Zamboni essays an atmospheric and lyrical approach to landscape.
Taiwanese painter Reef Hsu crafts painstaking accumulations of uniform, cellular, grain-shaped marks that combine to make a softly-modulated surface. Carefully-rendered colour articulates the shifting forms and masses of the compositions, prompting comparisons with the aesthetics of classical landscape painting.
Pontone’s Korean cohort, a long-term speciality of the gallery, is represented by two artists. Lee Jungwoong is a well-established and notable hyperrealist - his ‘brush’ painting is startling in its immediacy. Hwang Seontae is a sculptor of lightboxes that show scenes of harmonious order suffused by intimations of dystopian unease.
This exhibition is an opportunity to celebrate the heritage of The Albemarle Gallery and welcome its artists into a new home, one which promises a bold and exciting future.
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Kyle Barnes, Incandescence, 2022
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It’s Been A Long, Long Time, 2019Oil on linen183 x 213.5 cm
72 x 84 in -
If The World Should End, 2021Oil on linen180 x 150 cm
71 x 59 in -
Headland, 2020Oil on canvas122.6 x 85.7 cm
48.25 x 33.75 in -
Postman’s Knock, 2020Oil on canvas76.2 x 101.6 cm
30 x 40 in -
Model in Chair, 2009Oil on Canvas46x30 cm
18x12 in -
Drawing, 2014oil on panel56 x 61 cm
22 x 24 in -
Envelope, 2010oil on canvas23 x 25 cm
9 x 10 in -
Untitled 無題 16, 2021Oil on canvas116.5 x 80 cm
45.87 x 31.5 in -
Untitled 無題 15, 2020Oil on canvas130 x 192cm
51.2 x 75.6 in -
Living room with garden view I, 2012LED, tempered-glass, decalcomania73 x 116 x 5.5 cm
28 .7 x 45.7 x 2.2 in -
The Space with Sunshine, 2020Tempered Glass, Sandblast & LED Backlit62 x 218 x 4 cm
24.5 x 86 x 1.5 in -
A Whispering of Souls, 2022Oil on Linen81 x 75 cm
31.9 x 29.5 in -
A Life Time in Every Moment, 2021Oil on canvas110 x 121cm
43.3. x 47.6 in -
Girl with Flower Tattoos, 2019Oil on linen60 x 60 cm
23.6 x 23.6 in -
Symonds Yat, Lower Viewpoint, 2022Oil on marine plywood46 x 46 cm
18 x 18 in -
No Maintenance Required, 2017Acrylic on raw linen112 x 250 cm
44 1/8 x 98 3/8 in -
Untitled System #2, 2018Hand embroidery on silk162 x 127 cm
63.8 x 50 in -
Predictable Results, 2018Acrylic on black paper33 x 25 cm
13 x 10 in -
Sleeping Figure, 2017Oil on canvas51.5 x 51.5 cm
20 x 20 in -
Balcony, 2022Oil on board40.5 x 40.5 cm
16 x 16 in -
Brush, 2014Oil on Korean Paper on Canvas120 x 198 cm
47.25 x 78 in -
La notte, 2013Oil on Canvas80x120 cm 31.5 × 47.2 in