Pontone Gallery is excited to announce an exhibition of new paintings by critically-acclaimed American painter, Malcolm Liepke. This series continues his exploration of the male and female figure, clothed and unclothed, alone and, on occasion, in intimate groups. His major concerns are to express the personality of his sitters and to do so through a skilful and seductive handling of sumptuous oil paint.
Liepke’s technique is loose and fluent. The paint is briskly applied in sweeps and clusters of gestural marks which describe the form and contour of flesh and clothing. The application is economical, but always subtle and sensitive to nuance and the essential physical attributes of a variety of surfaces, most especially, skin. Liepke’s response to the body is to use the materiality of his medium to mimic and evoke the materiality of his subject; it is as if the paint film takes on the textural characteristics of the human model.
The painter takes delight in manipulating colour and deploying it to evoke a strong and sensual aesthetic reaction. Lime, lemon, orange and brick red are juxtaposed with cool sharp blues to frame the muddy pink tones of pale flesh. Liepke makes reference to the astringent, pastel hues of Degas and Lautrec. His is a similarly twilight world, a modern-day ‘fin de siècle’ - lit by artificial light, giving little or no clue as to time of day or night.
The compressed and cropped nature of his compositions make for intense studies, which bring the viewer into a close confrontation with his subjects, who are a cohort or clique of the young and casually glamorous. Outwardly indifferent and self-absorbed they both invite and studiously ignore scrutiny. Liepke documents this somewhat playful contradiction to make snapshot images of a mediated world where only the right kind of attention is both courted and desired, and ‘self-curation’ is the name of the game.
